Ronald J. Fontenot’s Black American Bard feels like a time machine into a world where folklore and fantasy reign supreme. This 12-track collection delivers a transportive experience, blending medieval and Renaissance-inspired melodies with storytelling evocative of classic Disney films and the immersive soundscapes of RPG video games. It’s a niche, yes, but one composer/songwriter/lyricist Fontenot masters with the skill of a seasoned bard weaving tales in a fire-lit tavern.
“Fairytales” opens the album like an overture to an enchanted realm, its ethereal flutes and delicate keyboard flourishes setting the tone for the adventure ahead. Tom Moyo’s voice, warm and wistful, carries lyrics that pay homage to the enduring power of folklore. The song’s sweeping references to Alice in Wonderland, Peter Pan, and Rapunzel make it the definitive entry point into the album’s whimsical world. If there’s a single track that captures Fontenot’s artistic vision, this is it.
“Lord of the Rings” follows with a stripped-down, troubadour-esque approach. Acoustic guitar and minimalistic arrangement allow the narrative lyrics to shine, retelling Tolkien’s legendary saga in a way that feels both intimate and timeless. Moyo’s rhythmic vocal delivery recalls a bard recounting heroic deeds in a smoky medieval tavern—simple yet effective. Fans of fantasy folk acts like The Amazing Devil or Loreena McKennitt will appreciate the authenticity here.
The album’s most dramatic moment comes with “Sword in the Stone.” A marching procession of acoustic guitar and flute leads the way, mirroring the gradual build of the song’s tale. The bells and ominous string swells at the bridge add a tension reminiscent of the best film scores. Fontenot crafts a slow-burning epic here, culminating in the moment of Arthur’s destined ascension. It’s cinematic, and in a different era, you could easily imagine this playing over an animated adaptation of The Once and Future King.
“Fox and Bear” is where things take an intriguing turn. A harpsichord-like keyboard and steady percussion give the track a pulsing, modern energy, reminiscent of a fusion between medieval storytelling and the moody atmosphere of The Weeknd’s vocal layering. The vocal round in the second half creates an intoxicating effect, adding layers upon layers of harmonized voices that feel hypnotic. It’s the album’s most unexpected sonic experiment, but it works beautifully.
With “Frog Prince,” Fontenot returns to folk tradition, pairing flute and acoustic guitar with a straightforward yet enchanting vocal melody. His storytelling instincts are at their best here, capturing the essence of the age-old fairy tale with a delivery that feels as natural as a fireside recital. Moyo’s closing spoken-word line adds a theatrical flair, sealing the song’s immersive quality.
The track “Peter Pan” is a dreamy, whimsical lullaby that encapsulates the theme of eternal youth. If Black American Bard is an invitation into a fantasy realm, then this track is the gentle reminder that all magic, even in music, must eventually come to an end. Softly fading instrumentation leaves the listener with the lingering sense of wonder Fontenot so carefully cultivates throughout the album.
Overall, Black American Bard is a love letter to folklore and fantasy, executed with both reverence and originality. Fontenot’s ability to craft immersive, story-driven compositions makes this a standout release for fans of fantasy folk, classic animation soundtracks, and RPG-inspired music. It’s a niche record, no doubt, but within that niche, it shines like Excalibur itself.
