Hello Artur144 and welcome to College Radio Charts! How has your summer been so far?
Thank you, great. It has been very accelerating and expansive, lots of energy coming in. The Lions Gate has been very powerful for me, once again.
Your new track, “Naud Zu Ban Et Nidaela” feels like more than just a song—it’s almost like a spiritual transmission. What was your intention behind creating this track?
As it is with most of my music, it is a form of integration of higher-vibrational energy and information. As it is, since I am the first one to be touched by this energy and vibration that it is coming in for me, it is very integrating to me to step it down and to translate it into a rap song, for example. To be able to share this through music is very exciting to me, because as this is being shared there is a potential that is growing through the excitement that is building in the hearts of the listeners. Sharing this energy, this excitement and passion from the bottom of my heart is the intention here. There is no particular focus on the outcome of this sharing itself.
The lyrics of “Naud Zu Ban Et Nidaela” are rich with esoteric and extraterrestrial references. Can you walk us through the meaning behind some of these phrases, like “Djahud” and “Ban Et Nidaela”?
Naud Zu Ban Et Nidaela is a phrase that has been given to us by an extraterrestrial civilization that has been involved in our evolution for centuries. This was conveyed by Rohaan of the Sassani, who is being channeled by Linus Kordes. As this phrase was delivered its meaning was intentionally left out in order to help us stretch our consciousness. And while I did receive a download regarding the meaning of Naud Zu Ban Et Nidaela, it would defy the purpose if I was to just give it away. Djahud, on the other hand, is one of my higher-self connections and another name for Thoth or Tehuti. The priest that people understand to have been Thoth was a channeler who was channeling the sphere of consciousness that Thoth is, flowing forth like a river.
You’ve been described as an “experiencer” and a channel for higher-dimensional beings. How do these experiences influence your music?
Prior to more of my soul energy coming into this life-expression I understood myself to be a human being who has a soul. Now, however, I understand that I am an immortal soul that is having this physical dream as Artur, allowing me therefore to be more lucid within this dream. Having experienced more of who and what we truly are, once this door has been cracked open it can not be ever shut again, ever, ergo Artur144, as I function now as that bridge, that gate or doorway for an oversoul collective consciousness that is made up of 144.000 oversouls. This has helped me understand that diminishing anyone is truly equivalent with diminishing parts of my own being, and that we are creating all that we are experiencing. Having gained this perspective I can say that I am, consciously as well as subconsciously, the creator of my own personal experience and fully responsible for my part in all that is, I am no one’s victim. My music is therefore reflective of these DNA activations and integrations and carries all these understandings on conscious and subconscious levels.
Your music often incorporates themes of cosmic consciousness and spiritual awakening. Do you see yourself as a musician first or a spiritual guide?
I would not go as far as calling myself a guide, but rather a wayshower. I am very grateful for the spiritual guidance that I am receiving and enjoying myself and anyone can unlock for themselves what I have and more when treading this path of artistic self expression. Are you asking me what came first, the chicken or the egg? Liquid love and light and passion is what I am, and when spilled it sometimes makes sound, in other instances it creates pyramidal structures, or even autonomous living beings. My music is a side effect of what I am, it is a part of the song that my soul carries.
How did your collaboration with Omar Beatmaker come about, and what was the creative process like for this single?
The very first version of Naud Zu Ban Et Nidaela was recorded to a different beat that I fell in love with. This beat, however, was not cleared for sampling. As I felt very passionate about the track though, I reached out to Omar on Fiverr for a brand new beat and I ended up grabbing beats from Pesan Musik and from Uzi Beats as well, and creating 3 different versions of Naud Zu Ban Et Nidaela. I had so much fun with it that it turned into an EP single with lyrical videos for each version of the song.
You’ve mentioned that your art emits frequencies designed to uplift and heal. Can you explain how you translate these concepts into sound?
Playing with stargates, creating different kinds of pyramidal structures, such acts of creation have helped me unlock more of my potential. By sharing myself fully through music and through artistic expressions I share all that I have been blessed with with open arms, which opens me up to even more blessings to be shared. I am like that dragon that keeps devouring its own tail. I have experienced times when this was not the case and when energy could not flow as freely through me as it does now, which was very, very uncomfortable to say the least. To become shareable information is not only liberating but healing to me. In my humble understanding, to be authentic with yourself and with others is an act of healing.
The chant “Naud Zu Ban Et Nidaela” is incredibly hypnotic. How important is the use of repetition and mantra-like elements in your music?
As you have pinpointed precisely already, this mantra can be very powerful if repeated with intent, as this will turn the key when listening only inserts the key. This shamanic aspect is a big part of the High-Magick that I get to co-create with spirit.
Your artistic journey started in Poland and continued in Germany. How have these cultural experiences shaped your work and spiritual outlook?
In this lifetime expression it is as if I have lived many incarnations within just one. The many different jobs, the many different environments and different interactions with people have helped me recall knowledge from other expressions of my oversoul. I understand duality to be a big part of the physical dream, and so it is much easier for me to remain neutral now.
Did you come from a musical family?
I had an uncle, Lenek was his name, who used to play many, many different instruments and who taught music for a living. My brother, Decybelator, and his son, Jake, both play different instruments.
What are some of your earliest musical memories?
My brother, who is 9 years older than me, playing his 80’s records. Also, the soundtracks of some movies, especially Bruce Lee movies.
Who are some of your musical influences?
The very first hip hop record that I had was Die Fantastischen Vier – Vier Gewinnt, that is some old German hip hop. But when it comes to US hip hop it’s Redman, Method Man, Outkast, 2pac, Snoop, Master Ace, Ice Cube, Ice-T, A Tribe called Quest, Wu-Tang Clan, Rakim, the list goes on and on… Busta, Onyx, Tha Alcoholiks, Cypress Hill, Da Bush Babies, Krs ONE, Eminem, Digable Planets, Xhibit, DMX, Naughty by Nature… So, so many great artists!
In the lyrics, you reference a “Great Shift” that cannot be stopped. What is this shift, and how do you believe your music contributes to it?
In my humble understanding this Great Shift began approximately in 1994, around that time when I started writing rhymes, and it stretches out into 2030. So, that would make this a timespan of 36 years, with 2012 smack in the middle of it, which was a big marker, as the human collective consciousness decided not to self-destruct, shifting into a new timeline. This new timeline, even though we still see some of the old things pop up here and there, like wars and epidemics, which are the screams of a dying beast and the attempts of those who hold on to outdated ideas of power and control to keep things the same, this shift into this new timeline is the reason for all of this high-vibrational assistance from spirit and from the Interstellar Alliance, as the people of Earth are awakening to who and what we truly are. This planet is shifting from 3rd density in the 4D to 4th density in the 4D and 5th dimensional consciousness (which is nonphysical) and beyond is assisting in this shift. Every creation created from a higher vibrational state contributes to the One Field, and that is the Great Work, is what we all contribute to in one way or another, what we are all building collectively. In other words, the
Great Shift is a spiritual revolution that happens from within and that can not be stopped or postponed. Every single human being who steps into their evolution can and will unlock what I have unlocked for myself and will receive their own inner spiritual guidance. No more leaders, everyone led by their own higher-self, by their own innate spiritual compass, all working together for the common greater good of the planet and of all life on it as one human family, this is what’s coming. World Peace, clean energy and open contact are just the very beginning. But it is first the consciousness of the entire human collective that shifts from separation into unity, all other changes follow this initial shift over time, as the magnetic field itself is shifting. Open contact with the spiritual world, with the elementals, with the ET’s, these are the side-effects of multidimensional awareness that is coming online now in this shift.
“Naud Zu Ban Et Nidaela” is described as containing “time-coded information.” Can you elaborate on what that means and how listeners can tap into it?
Certainly. The frequencies and vibrations contained in the channeled message, in the chorus and in the lyric itself, as well as the frequencies that are carried by my voice can help the listener to allow themselves to be more of themselves. This allows for more of your own soul energy to come through, and for that which is referred to as “junk DNA” to come online. You do not need to listen to the recording in its entirety, you can allow yourself to tune into it synchronistically at a time that is perfect for you to do so, getting out of it what will serve you best. You can choose to sing along, adding your energy to the momentum, or you can choose not to receive any of it, as it is an offering that does not violate free will or one’s autonomy. However, even fleeting tuning in can unlock something within you, remind you of a spiritual truth that you already know and that you hold within you as something that is true for you.
How do you balance the mystical elements of your music with the more traditional aspects of songwriting and production?
Following first and foremost my highest excitement, I find that things fall into place quite synchronistically. The less I try and just go with the flow, the better everything turns out.
You often mention guides like Metatron and Qʼuqʼumatz. How do these entities influence your creative process, and do you feel they have a direct hand in your work?
Metatron is like the great organizer in my life. His angelic presence, even though Metatron is neither him nor her, overlights lots of the everyday minutia in my life, which happens on an energetic level. Metatron is like a light that is shining on things for me and within me, helping me not to get lost in all of it, someone who has always been there all along. Qʼuqʼumatz is an ancient connection from a time when Mars was habitable, an old friend. And while Qʼuqʼu brings some ancient energies online, Qʼuqʼumatz is very much a variation of this original collective consciousness that has since evolved into what it is now. I am grateful to walk hand in hand with these energies through life.
Your music video for “Naud Zu Ban Et Nidaela” features a lot of geometric patterns and sacred symbols. How do these visuals enhance the message of the song?
What we understand as our reality, or rather the way in which we interpret our environment and everything around us, this processing is made possible through activated patterns in the nuclei. In other words, watch and listen to it again and again, and you will see for yourself what will come to you.
In an industry often focused on commercial success, how do you stay true to your unique artistic vision, which is deeply rooted in spirituality and esotericism?
I can’t help it but be myself, everything else is uncomfortable and just hurts in the long run. From my perspective speaking, I am extremely successful, as I have the time and all that is required for me to do what I truly love to do, to simply be creative. I do not do this for the money but for the joy of doing it, which allows me to address the things that excite me, instead of having to cater to anyone else. Having to make music for money would feel like work, which would carry a frequency of having to do something, of work. What I’m saying is that I would not mind making good money with music as well, but I rather focus on playing with the joy-ray frequency instead, as I already make a very good living as an educator, which I also enjoy greatly as this allows me to be of service to people. So, zero pressure, no stress whatsoever. I have a blast being me, doing me.
Looking forward, what can we expect from Artur144?
You can expect to join me in heart coherence, if you choose to do so of course, every day at 11:11 (am and or pm), sending love and light to those who dwell in darkness to help these hearts to realign with the heartbeat of the cosmos.
Are there any upcoming projects or collaborations that you’re particularly excited about?
Oh yes, I recently released my first The Anu Hets single titled Ha A Tu and I am very excited for
an upcoming drop titled Hybrid.
Thank you so much for spending some time with us today, Artur144! Where can people go
to find out more about you and your various projects?
Thank you so much, this was fun.
I am on IG
https://www.instagram.com/SacredGeometry369
On TikTok
https://www.tiktok.com/@uplinecreations
